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Past Exhibitions

A City of Neighborhoods: The Changing Face of Boston

March 22 - August 23, 2014

What makes "new" Boston different from "old" Boston? Explore Boston's ethnic diversity and neighborhoods with a special exhibition featuring maps of Boston's immigrant population based on the 2010 Census using historic, modern and digitized maps.

 

This program is funded in part by Mass Humanities, which receives support from the Massachusetts Cultural Council and is an affiliate of the National Endowment for the Humanities.

Mass Humanities “A Commonwealth of Ideas

Made in Boston

November 8, 2013 - March 17, 2014

Boston was the metropolis of England’s North American colonies, with the largest population and economy of any urban center through the 1750s. It was also the leading producer of printed maps, including major colonial “firsts” such as the first printed map, first city map, first battle plan, and first map engraved on copper.

This exhibition brings together, for the first time, a majority of these maps “made in Boston” in the century before the American Revolution. As a group they are remarkable for their idiosyncrasies of style and important contributions to geographical knowledge.

These maps reflect distinct concerns of New Englanders in general and Bostonians in particular: Pride in their fine city, the hazards of navigating the New England coast, conflict and collaboration with the native inhabitants, and the French for mastery of North America, and landownership concerns. This exhibition affords a unique perspective on the ambitions, anxieties and sense of identity that animated colonial Bostonians.

Charting an Empire: The Atlantic Neptune

May 1, 2013 - November 3, 2013

Part I: Atlantic Canada (May 1 to July 28, 2013)
Part II: Eastern Seaboard of Colonial America (August 1 to November 3, 2013)

The period following the French and Indian War (1754-1763) was a time of change and discovery in North America. In this display of charts, views, and maritime objects, we look at the decade following the war, when Britain set out to accurately chart the coast and survey the inland areas of their new resource-rich empire in Atlantic Canada, as well as the eastern seaboard extending from New England to the West Indies. The resulting charts were published collectively by Joseph Frederick Wallet Des Barres in The Atlantic Neptune, a maritime atlas which set the standard for nautical charting for nearly half a century.

Boston in the Gilded Age: Mapping Public Places

November 16, 2012 - April 23, 2013

The Gilded Age–the era from the late 1860s to the late 1890s–was a period of significant growth and transformation in Boston. Ingenious engineering projects allowed the city to expand, and a devastating fire led to swift and progressive redevelopment of the commercial district. Designed to document Boston’s radically changing geography, this exhibition focuses on the evolving street pattern and emerging park system, developed for the City’s growing population.

This story begins with the Boston Common and Public Garden. Moving west, the exhibition examines the growth of open spaces in Back Bay, then south to Frederick Law Olmsted’s Emerald Necklace, finishing with the development of Copley Square – the permanent home of the Boston Public Library.

America Votes: Mapping the Political Landscape

March 26, 2012 - November 10, 2012

This timely, election-year exhibition features approximately 30 maps, political cartoons, photographs, and other graphic images that date from the 1780s to the present. The display begins with an exploration of gerrymandering—two hundred years of manipulating political districts for partisan objectives—and includes maps illustrating the extension of the vote to non-property owners, blacks, and women. America Votes also features multiple election results maps, with examples ranging from several early efforts to the most recent campaigns.

Unconventional Maps

October 22, 2011 - April 9, 2012

When reading maps, we expect map makers to use standard conventions, especially in regard to map projection or composition, orientation, scale, and symbols. When a map maker does not use generally-accepted practices, we ask why? What is the story the map maker is trying to tell?

The maps displayed here highlight a variety of unconventional maps spanning the history of the printed map. For each, we demonstrate how it defies convention, and how that particular cartographic design heightens its story.

Torn in Two: 150th Anniversary of the Civil War

May 12, 2011 - December 31, 2011

The Civil War from 1861 to 1865 is the centerpiece of our nation’s story. It looms large, not merely because of its carnage, brutality and scope but because of its place in the trajectory of America’s history. The seeds of war were planted long before 1861 and the conflict remains part of our national and individual memory.

Maps enable us to present the complex strands that when woven together, provide a detailed account of the causes and conduct of the war. These visual images remain a salient aspect of our memory. The photographs, prints, diaries, songs and letters from the richness of the Library’s many holdings enhance our ability to tell this story.

Boston and Beyond

January, 2008 - June, 2008

In designing Boston & Beyond, we selected a group of 48 bird's eye views of New England towns showing the region's expansion and evolution during the last half of the 19th century. Each map is a unique blend of geographic representation along with the biases — both real and imagined — of the artists and those who commissioned them to create these exceptional works.

Drawn from carefully chosen vantage points — and unique (non-north) orientations — these maps present their subjects through the eyes of their creators (and the priorities of those who commissioned the works). They are distinctive hybrids of cartography and artistry, of historical representation and cultural ambition, of detailed accuracy and fanciful imagination.

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Journeys of the Imagination

March 21, 2006 - August 18, 2006

Journeys of the Imagination is an exhibition designed to explore the various ways that mapmakers from the 15th century until today, have created and translated their real and imagined world views.

The maps in this exhibition depict the excitement of discovery and scientific investigation, the artwork, and the social, historical and cultural influences that informed the creation of these documents. We will examine these maps, not just as geographic records of the world at a particular time, but as a document that has a story to tell, both about how and why the map was created, and what the map has to say about a particular culture's world view.

As an endlessly fascinating record of civilization in the context of its history, geography, politics, and religion, we hope that you too are captivated by the cartographic expressions displayed in this exhibition.

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Faces and Places Exhibition

Spring, 2003 - Summer, 2003

One of the goals of Faces & Places is to create an environment that will inspire dialogue, encouraging us to understand each other's cultural heritage, learn how we are different, but still realize how much we have in common. In creating this exhibition, we selected a number of historical maps that portray the countries from which the greatest number of Bostonians originate. These maps depict the countries at various stages in their historical, geographical, political, and economic development.

According to the 2000 census, the eight countries whose immigrant population informs the cultural diversity of the city of Boston are Cape Verde, China, Dominican Republic, England, Haiti, Ireland, Italy, and Jamaica. Immigrants from each of the countries represented in this exhibition celebrate the culture that is their heritage in different ways in their new home.

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Norman B. Leventhal Map Center (http://maps.bpl.org)